Abstract
This paper discusses Shakespeare’s aesthetics of blackness as a radical interpretation and response to a disputed translation of the fifth verse from the Song of Songs, casting light on the Renaissance transition from negative theology to negative capability.
Original language | English |
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Pages (from-to) | 84-97 |
Number of pages | 14 |
Journal | Translation Matters |
Volume | 2 |
Issue number | 1 |
Publication status | Published - 2020 |
Keywords
- Aesthetics of Blackness
- Song of Songs 1:5
- Negative Capability
- Caravaggio
- Shakespeare’s Sonnets